Here is some important and helpful info for new models or models working with me for the first time. It's essential that you review and fully understand it. If you have any questions, please don't hesitate to ask. :)
This info is primarily for portfolio photoshoots on a trade/TFP basis. When a model hires me on a fee basis, some of this info does not apply.
The model and photographer each give their time without fees, and both obtain some photos from the shoot to use in their portfolios. While full photographer fees are usually higher than typical model rates, many photographers "call it even". This helps make the Trade / TFP system work, so that both photographers and models can collaborate to expand their portfolios and experience, and simply enjoy making beautiful images.
A lot!! :) For a typical shoot with 4-hours of shooting time:
Total about 40-70 hours, or 5-9 work days.
A deposit may be required to cover the booking of MUA/stylist, studio/location, etc., as these bills must still be paid if the model no-shows or cancels at short notice.
Some/all of any deposit is refunded at the shoot, depending on the cost-sharing arrangement.
Models with very limited experience/references to show their reliability are more likely to require a deposit to reserve their booking. Also the more timely/reliable a model's communication, the less likely a deposit will be required.
I have a relatively simple Trade / TFP model release and we each keep a copy. Briefly, the release permits us both to use the images for personal and portfolio use, gallery display, and entry into photography competitions. It does not permit either of us to use the images for commercial use, business advertising, photo sales, etc. (although that can be negotiated later if needed). If you require that kind of usage, then hiring me for a non-Trade/TFP shoot is the best approach.
See previous question for usage restrictions, and also see the last question of the Photos section, below.
For a strong portfolio, we want to show only our very best images. I carefully select and retouch a limited number. Retouching photos from the raw camera photo to the finished image is both time consuming and a large portion of the creative work for me, so the number of images I process is limited. (Each image is 1-2 hours or more of work.)
This depends on the length and success of the shoot. The variety of wardrobe changes, poses, and backgrounds is a big factor—we don't want repetitive photos. A minimum of six retouched images is typical for a shorter shoot, and usually more than a dozen for a longer shoot.
I try to coordinate the selections to ensure that we each get our favourite photos from the shoot. Many models are happy to let me select for them because of my experience, or because the choices are not always easy! I may retouch a slightly different photo from a model's choice for technical or aesthetic reasons.
I provide only final retouched images. I may show a few unedited "proof" photos for selection purposes. These proofs are small, low-quality, and have "Un-retouched Proof" stamped across them.
I provide models with digital JPG files of the final retouched images, which are sized for use on sites such as ModelMayhem™ or Facebook™.
In addition, I can provide a model up to two high-quality prints (any size) for her model book or personal use. The model chooses these from the retouched images.
The digital files feature a subtle watermark as a deterrent to on-line theft and unauthorized use (very common), and to credit me as the photographer.
Printed photos generally have a subtle signature.
Special arrangements can be made for models requiring images without logos or in a higher resolution, for comp cards, etc.
Like most photographers concerned with the appearance of their work, I do not release full-resolution images or "RAW" files for a Trade / TFP arrangement.
I generally email the digital files directly to you. I can also provide them on-line for download from a password-protected gallery on my website. Prints are usually delivered in person or by mail.
I aim to provide the images as soon as possible after the shoot although due to my part-time schedule it may be 4-6 weeks or more before I have them all available. I try to get you at least one image within a few days of the shoot (a "teaser"), and then provide the other images one-by-one as I produce them.
By law, photographers own all copyrights and moral rights to the photos they produce. Thus the images may only be possessed and used for purposes that I permit.
Also by law, people own the right to exploit their own likeness. Thus nobody can commercially exploit/market/sell the images without the model's permission.
These photographer and model rights are the basis for the model release that I use (see above).
As the copyright owner of the images, and to protect the appearance of my work, images may not be modified in any way without first obtaining my permission. This includes cropping, adding/removing logos, and any other editing. Please contact me if you need something like this.
To avoid being rushed and to allow adequate time to build a comfortable rapport with each other, longer shoots are better for producing the best images. I usually aim for 4 hours. For outdoor shoots the weather, light, and travel time are the biggest determining factors. Shoots with more complex concepts and multiple locations require more time.
I usually need 2 weeks to set up a shoot if I'm not already booked. I often have a waiting list.
Shoots are usually on weekends or weekday evenings. I am also often available all day on Mondays.
For models with limited portfolios/references and with whom I've not yet worked, we'll have a pre-shoot planning meet. We review portfolios, shoot details, contact information, and the release, and satisfy ourselves that we're happy to work together before committing. Hissyfit-free photoshoots! :) The pre-shoot planning meet will be at a public location and you may bring someone to meet me.
Grrr. Okay, sometimes "life happens" beyond our control. The absolute most important thing is to let me know as soon as possible, and be honest about the reason. That gives us the most time to adjust the schedule, or re-schedule, and to find an alternate model if necessary.
Be aware that any short-notice cancellation within a few days of the shoot (a "flake") may cause me to doubt your reliability and/or seriousness about the shoot, and I may be reluctant to re-schedule with you ("blacklisted"). This is almost certain if MUA/stylist, studio/location, equipment, etc. have already been booked/rented at my expense.
Tell me this as soon as possible while we are scheduling the shoot. If it comes up after we have already booked, let me know right away. There is really very little difference between this and a no-show. Depending on how much time we will lose, I may cancel the shoot. See previous question.
Depending on the weather and the location, we may need to post-pone the shoot at short notice, switch to an indoor location if available, or reschedule. For "rain-or-shine" shoots, there is usually outdoor cover available to permit us to continue regardless of the weather.
I often include a MUA in my shoots. I also find models are usually very resourceful with their own hair and makeup preparations when scheduling a MUA is not possible or cost-effective.
For each shoot I'll indicate the type of clothing and accessories, and you can bring items that fit in those themes. If you are unable to bring certain items, just let me know and we'll come up with other ideas.
Whatever you feel comfortable in :) Avoid arriving in very tight constrictive clothing (shoulder straps, waistbands, etc.). These can leave marks on your skin that may be visible when you change into the shoot outfits (particularly a glamour outfit).
When you arrive at the shoot we'll review your wardrobe together and pick which outfits to use, based on the location, concept, weather, etc. We may do some initial photos with your arrival outfit, usually for headshots/portraits as a warm-up.
Only the working members of my shoot team are permitted on location. Others generally divide the attention of both the model and I. The best results are generally from one-on-one shoots, and we want the best.
Someone may drop-off/pick-up the model at the photoshoot, but not remain during. Uninvited guests remaining with the model may result in cancellation of the shoot and forfeiture of any deposit.
I may make rare exceptions for a model's "personal assistant" (PA) if they're a qualified specialist (MUA, Stylist, Designer, Model) and I pre-approve their participation. The following must be respected:
You may bring someone along to the pre-shoot planning meet; see above under Scheduling.
See previous question.
If your friend is interested in a photoshoot, have her request one here. I select the models I work with based on compatibility of their look/style/experience/personality with my vision/tastes, and I usually have a waiting list.
I carry a portable changing room that I can quickly set up anywhere. My models love this!
On the set I'm your director. :) My vision is to sculpt you into flattering and alluring poses that highlight your feminity and personality. I provide relatively specific/detailed posing instructions for each shot, so even without experience we can produce attractive images. Previous experience is certainly helpful to make this easier and more creative, and for models who are comfortable with assuming their own poses I aim for a combination of directed and followed poses.
No, though that certainly sounds nice! :) By day I'm an aerospace engineer working for the federal government as an aircraft accident investigator. We help uncover why an accident happened so that more can be prevented and lives saved. Photography for me is a fantastic diversion from this sometimes very stressful job. It's also my artistic outlet as I have always enjoyed drawing, etc. since a very early age.
I've been shooting as a serious hobby since 2004, and began studying portraits/photoshoots in 2006. I have worked with dozens of models and makeup artists in Canada and the USA. Almost all of my past photoshoots are available here on my website, and my photoshoot profile on Model Mayhem™.
I take photoshoot safety and comfort level very seriously. A model must feel safe and comfortable working with her photographer, MUA, shoot concept, and location. I'm equally concerned about our personal safety and protecting very expensive photo equipment, wardrobe, etc., in unfamiliar places and around strangers.
Models are encouraged to consider the following to satisfy their comfort level that I behave professionally:
Look at my portfolio, lol! :D My photos are usually portrait style, with a flavour of mainstream glamour, editorial fashion, lifestyle, or boudoir. I aim for appealing combinations of natural beauty, sexy, classy, playful, and sensual. I much prefer location shoots, especially outdoors, to studio shoots. I'm generally not interested in dark / alt themes.
I work with female models who are healthy/fit, attractive, enthusiastic, dependable(!), and suitable for the above styles. As I'm not a commercial photographer, I do not work with minors, and my models are usually 20-35, quite a bit more mature than the fashion industry standard. Due to previous reliablility issues I rarely work with models under 20.
At this time I'm not focussing on male models, family/children, group photos, weddings, or events.
I am not a commercial photographer, nor do I submit my work to publications at this time. The photos we make, however, may help you gain the interest of other photographers who can get you published.
By model's request only.
For glamour and boudoir images I strive for sexy yet classy appeal without nudity—tasteful lingerie and "implieds" are the usual boundaries—and always within the model's comfort level.
All text and photographs are Copyright ©2010 Kyle D Jackson; all rights reserved. No copying or reproduction without permission.